I Am Legend (film)

I Am Legend

Theatrical release poster
Directed by Francis Lawrence
Produced by Akiva Goldsman
David Heyman
James Lassiter
Neal H. Moritz
Tracy Torme
Screenplay by Akiva Goldsman
Mark Protosevich
Based on I Am Legend by
Richard Matheson
Starring Will Smith
Alice Braga
Charlie Tahan
Music by James Newton Howard
Cinematography Andrew Lesnie
Editing by Wayne Wahrman
Studio Village Roadshow Pictures
Weed Road Pictures
Overbrook Entertainment
Heyday Films
Original Film
Distributed by Warner Bros. Pictures
Release date(s) December 14, 2007 (2007-12-14)
Running time 100 minutes
Country United States
Language English
Budget $150 million
Box office $585,349,010[1]

I Am Legend is a 2007 post-apocalyptic science fiction film directed by Francis Lawrence and starring Will Smith. It is the third feature film adaptation of Richard Matheson's 1954 novel of the same name, following 1964's The Last Man on Earth and 1971's The Omega Man.[2] Smith plays virologist Robert Neville, who is immune to a man-made virus originally created to cure cancer. He works to create a remedy while defending himself against the mutated creatures created by the virus.

Warner Bros. began developing I Am Legend in 1994, and various actors and directors were attached to the project, though production was delayed due to budgetary concerns related to the script. Production began in 2006 in New York City, filming mainly on location in the city, including a $5 million scene[3] at the Brooklyn Bridge, the most expensive scene ever filmed in the city at the time.

I Am Legend was released on December 14, 2007 in the United States and Canada, and opened to the largest ever box office (not counting for inflation) for a non-Christmas film released in the U.S. in December. The film was the seventh highest grossing film of 2007, earning $276 million domestically and $329 million internationally, for a total of $585 million.

Contents

Plot

In December 2009, military virologist Lieutenant Colonel Robert Neville (Will Smith) loses his wife Zoe (Salli Richardson) and daughter Marley (Willow Smith) in a helicopter accident during a chaotic quarantine of Manhattan. A genetically-engineered variant of the measles virus created by Dr. Alice Krippin (Emma Thompson), meant as a cure for cancer, had mutated into a lethal strain. It spreads throughout the world, killing 90% of humanity. By September 2012, Neville is the last healthy human in New York City; the rest of the plague's survivors have degenerated into predatory, cannibalistic beings referred to as "Darkseekers",[4] who hunt the immune humans as prey. The Darkseekers are so named for hiding during daylight due to a painful intolerance of UV radiation.

Neville's daily routine includes experimenting on infected rats to find a cure for the virus and trips through a decaying Manhattan to collect supplies from abandoned homes or hunt for the deer that have moved into the city. He also keeps vigil each day for a response to his continuous recorded AM radio broadcasts, which instruct any survivors to meet him at midday at the South Street Seaport. Neville's isolation is broken only by the companionship of his German Shepherd Sam and interaction with mannequins he has set up as patrons of a video store.

When one of his rat experiments shows a promising treatment, Neville sets a snare trap and captures an infected woman. An enraged Darkseeker alpha male attempts to rescue her, but is driven back by the sunlight. In his laboratory in the basement of his heavily fortified Washington Square Park home, Neville tries the new serum on the infected woman, showing signs of recovering, but with no success, much to Neville's dismay.

The next day, after finding one of his mannequins ("Fred") out in the street in front of Grand Central Terminal, he is caught in a snare trap and passes out. He regains consciousness and frees himself, but it is dusk and he and Sam are attacked by a pack of infected dogs. Although Neville and Sam manage to kill the dogs, one of the infected dogs bites Sam during the fight. Neville brings Sam home and attempts to save the dog by injecting a strain of his serum, but it is too late; a heartbroken Neville is forced to kill his only companion.

Overcome by grief and rage, Neville attacks a group of the infected on the seaport the following night with his UV light equipped SUV. He manages to kill several Darkseekers, but they overwhelm and nearly kill him before he is rescued by a pair of immune humans, a woman named Anna (Alice Braga) and a boy named Ethan (Charlie Tahan), who followed his radio broadcasts. Anna and Ethan take him back to his home, where Anna explains that they are making their way to a survivors' camp in Bethel, Vermont. Neville disputes that such a camp exists, and expresses his doubt when Anna says God told her about it.

The following night, the alpha male leads a mob of Darkseekers in an attack on the house. Anna, who was unaware of Neville's precautions in covering his scent outside the house, inadvertently allows the Darkseekers to follow their trail and discover Neville's home. When the Darkseekers charge the house, Neville uses UV worklights to push the mob back, but the infected easily shatter the lights and continue their attack. Neville kills the first wave of Darkseekers with claymore mines, but finds himself defenseless against the second wave. Neville tries to find Anna and Ethan, but before he can, a Darkseeker enters and attacks him. The Darkseeker retreats upstairs and begins tearing a hole in the roof so other infected can get in.

After Neville saves Anna and Ethan, they hear the infected climbing the house, so they retreat into the basement laboratory. They seal themselves in a reinforced plexiglass room with the infected woman, and they discover that Neville's treatment is in fact working: the subject looks much more human. The infected break in and the alpha male starts throwing himself against the plexiglass, cracking the material. Realizing that the last treatment has been successful, Neville draws a vial of the infected woman's blood and gives it to Anna before shutting them inside a coal chute hidden in the back of the lab. He uses an M67 hand grenade to wipe out the attackers at the cost of his own life. Anna and Ethan are later seen driving in Vermont and stopping at the gated entrance to the survivors' colony, where Anna hands over the antidote. In a voice-over, Anna claims that the survivors are Neville's legacy, as his fight for a cure became legend.

Alternate ending

Several scenes were altered before the film's release, especially the stand-off between Neville and the infected in his laboratory. In the original ending, the alpha male makes a butterfly-shaped smear on the glass. Neville realizes that the alpha male is identifying the woman he was experimenting on by a butterfly tattoo, and that the alpha male wants her back. Neville puts his gun down and returns the infected woman. Neville and the alpha male then exchange stares; Neville apologizes to the Darkseekers; the alpha male acknowledges his apology, and the infected leave. The final shot follows Neville, Anna, and Ethan as they drive away towards Vermont with the antidote.[5]

According to visual effects supervisor Janek Sirrs: "At that point, Neville's — and the audience's — assumptions about the nature of these creatures are shown to be incorrect. We see that they have actually retained some of their humanity. There is a very important moment between the alpha male and Neville."

Cast

Production

Development

The late 1990s brought a reemergence of the science fiction horror genre.[6] In 1995, Warner Bros. began developing the film project, having owned the rights to Richard Matheson's 1954 novel I Am Legend since 1970[7] and The Omega Man. Mark Protosevich was hired to write the script after the studio was impressed with his spec script of The Cell. Protosevich's first draft took place in the year 2000 in San Francisco, California, and contained many similarities with the finished film, though the Darkseekers (Called 'Hemocytes') were civilized to the point of the creatures in The Omega Man and Anna was a lone morphine addict; as well as the fact that there was a Hemocyte character named Christopher who joined forces with Neville. Warner Bros. immediately put the film on the fast track, attaching Neal H. Moritz as producer.[6]

Actors Tom Cruise, Michael Douglas,[8] and Mel Gibson[6] had been considered to star in the film,[8] using a script by Protosevich and with Ridley Scott as director; however, by June 1997 the studio's preference was for actor Arnold Schwarzenegger. In July, Scott and Schwarzenegger finalized negotiations,[9] with production slated to begin the coming September,[8] using Houston as a stand-in for the film's setting of Los Angeles.[10] Scott had Protosevich replaced by a screenwriter of his own choosing, John Logan, with whom he spent months of intensive work on a number of different drafts. The Scott/Logan version of I Am Legend was a bold, artistic mash of scifi action and psychological thriller, without dialogue in the first hour and with a sombre ending.[6] The creatures in Logan's Legend were similar to the Darkseekers of the finished film in their animalistic, barbaric nature. The studio, fearing its lack of commercial appeal and merchandising potential, began to worry about the liberties they had given Scott – then on a negative streak of box office disappointments – and urged the production team to reconsider the lack of action in the screenplay. After an "esoteric" draft by writer Neal Jimenez, Warner Bros. reassigned Protosevich to the project, reluctantly working with Scott again.[6]

In December 1997, the project was called into question when the projected budget escalated to $108 million due to media and shareholder scrutiny of the studio in financing a big-budget film.[11] Scott rewrote the script in an attempt to reduce the film's budget by $20 million,[12] but in March 1998, the studio canceled the project due to continued budgetary concerns,[13] and quite possibly to the box office disappointment of Scott's last three films, 1492: Conquest of Paradise, White Squall, and G.I. Jane.[6] Likewise, Schwarzenegger's recent films at the time (Eraser and Warner Bros. own Batman & Robin) underperformed, and the studio's latest experiences with big budget sci-fi movies Sphere and The Postman were negative as well.[6] In August 1998, director Rob Bowman was attached to the project,[14] with Protosevich hired to write a third all-new draft, far more action-oriented than his previous versions,[6] but the director (who reportedly wished for Nicolas Cage to play the lead) moved on to direct Reign of Fire[15] and the project did not get off the ground.

In March 2002, Schwarzenegger became the producer of I Am Legend, commencing negotiations with Michael Bay to direct and Will Smith to star in the film.[16] Bay and Smith were attracted to the project based on a redraft that would reduce its budget.[17] However, the project was shelved due to Warner Bros. president, Alan F. Horn's dislike of the script.[18] In 2004, Akiva Goldsman was asked by head of production Jeff Robinov to produce the film.[19] In September 2005, director Francis Lawrence signed on to helm the project, with production slated to begin in 2006. Guillermo del Toro was originally approached to direct by Smith but turned it down in order to direct Hellboy II: The Golden Army.[20] Lawrence, whose film Constantine was produced by Goldsman, was fascinated by empty urban environments. He said, "Something's always really excited me about that... to have experienced that much loss, to be without people or any kind of social interaction for that long."[19]

Goldsman took on the project as he admired the second I Am Legend film adaptation, The Omega Man.[21] A rewrite was done to distance the project from the other zombie films inspired by the novel,[16] as well as from the recently released 28 Days Later (However Goldsman was inspired by the scenes of a deserted London in the British horror film to create the scenes of a deserted New York City.[21] A forty-page scene-by-scene outline of the film was developed by May 2006. When delays occurred on Smith's film Hancock, which was scheduled for 2007, it was proposed to switch the actor's films. This meant filming would have to begin in sixteen weeks: production was green lit, using Goldsman's script and the outline.[19] Elements from Protosevich's script were introduced, while the crew consulted with experts on infectious diseases and solitary confinement.[21] Rewrites continued throughout filming, because of Smith's improvisational skills and Lawrence's preference to keep various scenes silent.[19] The director had watched Jane Campion’s film The Piano with a low volume so as to not disturb his newborn son, and realized that silence could be very effective cinema.[22]

Casting

Will Smith signed on to play Robert Neville in April 2006.[23] He said he took on I Am Legend because he felt it could be like "Gladiator [or] Forrest Gump—these are movies with wonderful, audience-pleasing elements but also uncompromised artistic value. [This] always felt like it had those possibilities to me."[21] The actor found Neville to be his toughest acting challenge since portraying Muhammad Ali in Ali (2001). He said that "when you're on your own, it is kind of hard to find conflict." The film's dark tone and exploration of whether Neville has gone insane during his isolation meant Smith had to restrain himself from falling into a humorous routine during takes.[24] To prepare for his role, Smith visited the Centers for Disease Control and Prevention in Georgia. He also met with a person who had been in solitary confinement and a former prisoner of war.[25] Smith compared Neville to Job, who lost his children, livelihood, and health. Like the Book of Job, I Am Legend studies the questions, "Can he find a reason to continue? Can he find the hope or desire to excel and advance in life? Or does the death of everything around him create imminent death for himself?"[16] He also cited an influence in Tom Hanks' performance in Cast Away (2000).[21]

Abbey and Kona, both three-year-old German Shepherd Dogs, played Neville's dog Sam.[26] The rest of the supporting cast consists of Salli Richardson as Zoe, Robert's wife,[27] and Alice Braga as a survivor named Anna.[27] Willow Smith, Will Smith's daughter, makes her film debut as Marley, Neville's daughter.[28] Emma Thompson has an uncredited role as Dr. Alice Krippin, who appears on television explaining her vaccine for cancer that mutates into the virus.[29] Singer Mike Patton provided the guttural screams of the infected "hemocytes," and Dash Mihok provided the character animation for the infected "alpha male". There were several filler characters with uncredited roles in old news broadcasts and flashbacks, such as the unnamed President's voice, and the cast of The Today Show.

Filming

Akiva Goldsman decided to move the story from Los Angeles to New York City to take advantage of locations that would more easily show emptiness.[7] Goldsman explained, "L.A. looks empty at three o'clock in the afternoon, [but] New York is never empty . . . it was a much more interesting way of showing the windswept emptiness of the world."[24] Warner Bros. initially rejected this idea because of the logistics,[19] but Francis Lawrence was determined to shoot on location, to give the film a natural feel that would benefit from not shooting on soundstages. Lawrence went to the city with a camcorder, and filmed areas filled with crowds. Then, a special effects test was conducted to remove all those people. The test had a powerful effect on studio executives.[22] Michael Tadross convinced authorities to close busy areas such as the Grand Central Terminal viaduct, several blocks of Fifth Avenue and Washington Square Park.[19] The film was shot primarily in the anamorphic format, with flashback scenes shot in Super 35.[30]

Filming began on September 23, 2006.[31] The Marcy Avenue Armory in Williamsburg was used for the interior of Neville's home,[24] while Greenwich Village was used for the exterior.[16] Other locations include the Tribeca section of Lower Manhattan, the aircraft carrier Intrepid, the Kingsbridge Armory in the Bronx and St. Patrick's Cathedral.[7] Weeds were imported from Florida and were strewn across locations to make the city look like it had overgrown with them.[19] The closure of major streets was controversial with New Yorkers. Will Smith said, "I don't think anyone's going to be able to do that in New York again anytime soon. People were not happy. That's the most middle fingers I've ever gotten in my career."[16]

A bridge scene was filmed for six consecutive nights in January on the Brooklyn Bridge to serve as a flashback scene in which New York's citizens evacuate the city in a mass exodus. Shooting the scene consumed $5 million of the film's reported $150 million budget, which was likely the most expensive shot in the city to date. The scene, which had to meet requirements from fourteen government agencies, involved 250 crew members and 1,000 extras, including 160 National Guard members.[32][33] Also present were several Humvees, three Stryker armored vehicles, a 110-foot (34 m) cutter, a 41-foot (12 m) utility boat, and two 25-foot (7.6 m) Response Boat Small craft, as well as other vehicles including taxis, police cars, fire trucks, and ambulances.[34] Filming concluded on March 31, 2007.[31] CGI was used to depict the main spans of the Brooklyn Bridge and the Manhattan Bridge collapsing as missiles from over passing military jets blew them up to prevent a mass exodus leaving Manhattan.

Reshoots were conducted around November 2007. Lawrence noted, "We weren't seeing fully rendered shots until about a month ago. The movie starts to take on a whole other life. It's not until later that you can judge a movie as a whole and go, 'Huh, maybe we should shoot this little piece in the middle, or tweak this a little bit.' It just so happened that our re-shoots revolved around the end of the movie."[35]

Effects

A week into filming, Francis felt the infected (referred to as "Dark Seekers" or "hemocytes" in the script), who were being portrayed by actors wearing prosthetics, were not convincing. His decision to use computer-generated imagery (CGI) resulted in an increased budget and extended post-production, although the end results were not always well-received.[36][37] The concept behind the infected was that their adrenal glands were open all of the time and Lawrence explained, "They needed to have an abandon in their performance that you just can’t get out of people in the middle of the night when they’re barefoot. And their metabolisms are really spiked, so they’re constantly hyperventilating, which you can’t really get actors to do for a long time or they pass out."[19] The actors remained on set to provide motion capture.[24][38] "The film's producers and sound people wanted the creatures in the movie to sound somewhat human, but not the standard," so Mike Patton, lead singer of Faith No More, was engaged to provide the screams and howls of the infected.[39]

In addition, CGI was used for the lions and deer in the film, and to erase pedestrians in shots of New York. Workers visible in windows, spectators and moving cars in the distance were all removed. In his vision of an empty New York, Lawrence cited John Ford as his influence: "We didn't want to make an apocalyptic movie where the landscape felt apocalyptic. A lot of the movie takes place on a beautiful day. There's something magical about the empty city as opposed to dark and scary that was the ideal that the cast and crew wanted."[21]

Release

I Am Legend was originally slated for a November 21, 2007 release in the United States and Canada,[40] but was delayed to December 14, 2007.[41] The film opened on December 26, 2007 in the United Kingdom,[42] and the Republic of Ireland having been originally scheduled for January 4, 2008.[24]

In December 2007, China banned the release of American films in the country,[43] which is believed to have delayed the release of I Am Legend. Will Smith spoke to the chairman of China Film Group about securing a release date, later explaining, "We struggled very, very hard to try to get it to work out, but there are only a certain amount of foreign films that are allowed in."[25]

Marketing

A tie-in comic from DC Comics and Vertigo Comics has been created, I Am Legend: Awakening.[44] The project draws upon collaboration from Bill Sienkiewicz, screenwriter Mark Protosevich, and author Orson Scott Card. The son of the original book's author, Richard Christian Matheson, also collaborated on the project. The project will advance from the comic to an online format in which animated featurettes (created by the team from Broken Saints) will be shown on the official website.[45]

In October 2007, Warner Bros. Pictures in conjunction with the Electric Sheep Company launched the online multiplayer game I Am Legend: Survival in the virtual world Second Life. The game is the largest launched in the virtual world in support of a film release, permitting people to play against each other as the infected or the uninfected across a replicated 60 acres (240,000 m2) of New York City.[46] The studio also hired the ad agency Crew Creative to develop a website that would be specifically viewable on the iPhone.[47]

Box office

I Am Legend grossed $77,211,321 on its opening weekend in 3,606 theaters, averaging $21,412 per venue, and placing it at the top of the box office. This set a record for highest grossing opening for a film for the month of December.[48] The film grossed $256,393,010 in North America and $585,349,010 worldwide.[1] The film was the sixth highest grossing film of 2007 in North America, and as of April 2010 stands among the top 100 all-time highest grossing films both domestically and worldwide (unadjusted for ticket price inflation).[1]

Home media

The film was released on DVD on March 18, 2008 in two editions: a one-disc release, including the movie with four animated comics ("Death As a Gift," "Isolation," "Sacrificing the Few for the Many," and "Shelter"), and other DVD-ROM features; and a two-disc special edition that includes all these extras, an alternative theatrical version of the movie with an alternate ending,[49] and a digital copy of the film.[50] On the high-definition end, the movie has been released on the Blu-ray Disc format and HD DVD format along with the DVD release; with the HD-DVD version being released later on April 8, 2008.[51] Both HD releases include all the features available in the two-disc DVD edition.[51] A three-disk Ultimate Collector's Edition was also released on December 9, 2008.[52]

The film has sold 7.04 million DVDs and earned $126.2 million in revenue, making it the sixth best-selling DVD of 2008.[53] However, Warner Bros was reportedly "a little disappointed" with the film's performance on the DVD market.[54]

Soundtrack

I Am Legend – The Soundtrack
Soundtrack album by James Newton Howard
Released January 15, 2008
Genre Film score
Length 44:00
Label Varèse Sarabande
Producer James Newton Howard

The soundtrack for I Am Legend was released on January 15, 2008, under the record label Varèse Sarabande. The music was composed by James Newton Howard.

I Am Legend Soundtrack
No. Title Length
1. "My Name Is Robert Neville"   2:50
2. "Deer Hunting"   1:16
3. "Evacuation"   4:26
4. "Scan Her Again"   1:41
5. "Darkseeker Dogs"   2:16
6. "Sam's Gone"   1:45
7. "Talk To Me"   0:55
8. "The Pier"   5:17
9. "Can They Do That?"   2:09
10. "I'm Listening"   2:09
11. "The Jagged Edge"   5:15
12. "Reunited"   7:49
13. "I'm Sorry"   2:21
14. "Epilogue"   4:13
Total length:
 44:00

Critical reception and awards

Reviews were mostly favorable.[55] The consensus among favorable reviews was that Will Smith's performance overcame questionable special effects.[56] Review aggregate website Rotten Tomatoes reported that 69% of critics gave the film positive write-ups, based on 204 reviews.[57] At the similar website Metacritic, which assigns a rating out of 100 to each review, the film has received an average score of 65, based on 37 reviews.[58]

A. O. Scott wrote that Will Smith gave a "graceful and effortless performance" and also noted the "third-act collapse". He felt that the movie "does ponder some pretty deep questions about the collapse and persistence of human civilization".[59] Dana Stevens of Slate wrote that the movie lost its way around the hour mark, noting that "the Infected just aren't that scary."[29] NPR critic Bob Mondello noted the film's subtext concerning global terrorism and that this aspect made the film fit in perfectly with other, more direct cinematic explorations of the subject.[60] Richard Roeper gave the film a positive review on the television program At the Movies with Ebert & Roeper, commending Will Smith as being in "prime form," also saying there are "some amazing sequences" and that there was "a pretty heavy screenplay for an action film."[61] The film has been criticized for diverging from Matheson's novel, especially in its portrayal of a specifically Christian theme.[62] Much of the negative criticism has concerned the film's third act,[36][37][63] some critics favoring the alternative ending in the DVD release.[49]

Popular Mechanics published an article on December 14, 2007[64] addressing some of the scientific issues raised by the film:

  1. the rate of deterioration of urban structures, infrastructure, and survival of fauna and flora
  2. the plausibility of a retrovirus spreading out of control as depicted in the film. (The measles virus depicted in the film, however, is not a retrovirus, but is in fact a part of the Paramyxovirus family.)
  3. the mechanics of the Brooklyn Bridge's destruction

The magazine solicited reactions from Alan Weisman, author of The World Without Us, virologist W. Ian Lipkin, M.D., and Michel Bruneau, Ph.D., comparing their predictions with the film's depictions. The article raised the most questions regarding the virus' mutation and the medical results, and pointed out that a suspension bridge like the Brooklyn Bridge would likely completely collapse rather than losing only its middle span. Neville's method of producing power using gasoline-powered generators seemed the most credible: "This part of the tale is possible, if not entirely likely," Popular Mechanics editor Roy Berendsohn says.

I Am Legend earned four nominations for the Visual Effects Society Awards,[65] and was also nominated for Outstanding Performance by a Stunt Ensemble at the Screen Actors Guild Awards,[66] Outstanding Film and Actor at the Image Awards,[67] and Best Sound at the Satellite Awards. In June 2008, Will Smith won a Saturn Award for Best Actor.[68] Will Smith also won the MTV Movie Awards for Best Male Performance.[69]

Planned prequel

Francis Lawrence said in late 2008 that there would be a prequel and that Will Smith would be reprising his role. He stated that the film would reveal what happens to Neville before the infected take over New York. D. B. Weiss was recruited to write the script, while Lawrence would direct "if we figure out the story". Smith stated the film would have Neville and his team going from New York City to Washington, D.C. and back again, as they made their last stand.[70] The film would again explore the premise of what it's like to be alone, as Lawrence explained, "... the tough thing is, how do we do that again and in a different way?"[71]

As of May 3, 2011, Francis Lawrence stated that, so far as it involved him, the prequel was dead, with Lawrence stating,"I don't think that's ever going to happen."[72]

Bibliography

References

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  3. ^ "A 'Legend' in the Making". Hollywood Reporter. Archived from the original on 2007-10-11. http://web.archive.org/web/20071011204523/http://www.hollywoodreporter.com/hr/content_display/television/features/e3i75150efee777f4aeaf5bf8e90b207030. Retrieved 2008-03-23. 
  4. ^ The DVD/Blu-Ray subtitles refer to the infected as hemocytes – actually a cell type found in an insect's immune system.
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External links

Film adaptations
The Last Man on Earth (1964)  · The Omega Man (1971)  · I Am Legend (2007)  · I Am Omega (2007)
Films directed by Francis Lawrence
Novels
I Am Legend (1954) • The Shrinking Man (1956) • A Stir of Echoes (1958) • The Beardless Warriors (1960) • Hell House (1971) • Bid Time Return (1975) • What Dreams May Come (1978)
Short stories
"Born of Man and Woman" (1950) • "Blood Son" (1951) • "Button, Button" (1970)
Screenplays
The Incredible Shrinking Man (1957) • House of Usher (1960) • "The Last Flight" (1960) • "Nick of Time" (1960) • "A World of Difference" (1960) • "A World of His Own" (1960) • Master of the World (1961) • The Pit and the Pendulum (1961) • "The Invaders" (1961) • "Once Upon a Time" (1961) • Night of the Eagle (1962) • Tales of Terror (1962) • "Little Girl Lost" (1962) • "Young Man's Fancy" (1962) • The Raven (1963) • "Death Ship" (1963) • "Mute" (1963) • "Nightmare at 20,000 Feet" (1963) • "Steel" (1963) • The Comedy of Terrors (1964) • The Last Man on Earth (1964) • "Night Call" (1964) • "Spur of the Moment" (1964) • Fanatic (1965) • The Young Warriors (1966) • "The Enemy Within" (1966) • The Devil Rides Out (1968) • De Sade (1969) • Duel (1971) • The Night Stalker (1972) • The Night Strangler (1973) • The Legend of Hell House (1973) • Dracula (1973) • The Morning After (1974) • Trilogy of Terror (1975) • The Martian Chronicles Mini-Series (1980) • Somewhere in Time (1980) • Jaws 3-D (1983) • Twilight Zone: The Movie (1983) • "Button, Button" (1986) • Loose Cannons (1990) • The Dreamer of Oz (1990) • Rod Serling's Lost Classics (1994) • Trilogy of Terror II (1996)
Adaptations
by others
"And When the Sky Was Opened" (1959) • "Third from the Sun" (1960) • Cold Sweat (1970) • The Omega Man (1971) • The Incredible Shrinking Woman (1981) • What Dreams May Come (1998) • Stir of Echoes (1999) • "Dance of the Dead" (2005) • "My Ambition" (2006) • I Am Legend (2007) • I Am Omega (2007) • The Box (2009) • "The Splendid Source" (2010) • Real Steel (2011)